Keith Hamilton Cobb reflects on his play American Moor and how the questions he received in response to it led to the development of the Untitled Othello Project, a deeply scrutinizing exploration of Shakespeare’s text.
Posts Tagged: Othello
Debra Ann Byrd writes about encountering an early female Othello in the Folger collection and developing her memoir and solo show, Becoming Othello.
At the heart of Keith Hamilton Cobb’s one-man play American Moor are explorations of blackness, racial dynamics in American theater, “ownership” of Shakespeare, and the subtext of Othello. He has performed the play across the United States, including an off-Broadway run in 2019, and now the script has been published by Methuen Drama: Keith Hamilton… Continue Reading »
I find it fascinating that Verdi’s last two operas were both inspired by Shakespeare: Otello (1887) and Falstaff (1893), yet they are very different in story, style, and tone. Verdi looked to the Bard’s plays of Othello (1604) and the Merry Wives of Windsor (1600), plus the Henry plays, as a catalyst. There are plenty… Continue Reading »
Desdemona and Emilia’s friendship inspires resistance and the courage to speak the truth, resulting in Iago’s exposure and Desdemona’s exoneration.
Shakespeare characters like Viola and Iago are masters of improvisation, says Folger Director MIchael Witmore in this excerpt from the 2017 Shakespeare’s Birthday Lecture.
Promptbooks let us peer into the minds of some of history’s greatest theater-makers and see how they imagined Shakespeare’s plays.
Timon of Athens vs. Iago! Actors Ian Merrill Peakes and Louis Butelli discuss these Shakespeare characters, their degree of self-awareness, and their villain status.
Read this Q&A with Tracy Chevalier about her new novel New Boy, which retells the story of Shakespeare’s Othello and is the latest book in the Hogarth Shakespeare series.
Since their revival by David Garrick in the early eighteenth century, Shakespeare and his plays have always generated a certain aura of celebrity, sometimes referred to as “Bardolatry.” Following in the footsteps of Garrick, stage actors regularly rose to stardom on the strength of their Shakespearean performances, and would continue to play their “signature” roles… Continue Reading »
