With a US audience of tens of millions in its TV release at the same time it was released in American theaters, Laurence Olivier’s film “Richard III” (1955) has left a lasting, sometimes hilarious, legacy in pop culture, from Peter Sellers’s lofty and amusing reading of the Beatles’ “A Hard Day’s Night” in Olivier’s style to modern-day TV villains who speak directly to the camera and win us to their side.
The perfect post for a winter’s day: Marissa Nicosia shares an early modern recipe for hot chocolate, associated with 17th-century author, botanist, and pirate William Hughes.
Every month, we share a snapshot of Shakespeare in performance across the country. What’s onstage in January? We visit our theater partners to find out.
Among the many treasures of the Folger is a lavish “Cosway binding” that includes five unique miniatures by a 20th-century British artist, “Miss C. B. Currie,” based on the images from the book itself. One of the oddest to modern eyes is the all-white bust from Stratford.
Recent news about proteomics (the study of proteins) in the humanities has included a Folger Shakespeare Library project, irreverently called Project Dustbunny, that studies proteins in rare books to learn about those who once handled or read them.
Inspired by a real-life episode, Simon Mayo’s novel ‘Mad Blood Stirring’ tells the powerful story of a Shakespeare production by African American prisoners of war at Dartmoor prison in England, near the end of the War of 1812.
