What kind of father was Shakespeare? The fathers he portrays in his plays don’t always come off looking so good, but he also explores parental regret.
Restoration Shakespeare was a complex theatrical experience that integrated song, music, dance, and acting; indeed, music and dance, alongside stage machines and movable scenes, were central to the success of Restoration theatre more generally.
We revisit an essay about Shakespeare and Shaw from the 1994 Folger exhibition “Roasting the Swan of Avon: Shakespeare’s Redoubtable Enemies and Dubious Friends.”
Explore a set of early 19th-century watercolor portraits of Shakespearean heroines in the Folger collection.
Playwright Caridad Svich writes how ‘Henry VIII’ oscillates between characters’ desire for power, on the one hand, and forgiveness, on the other.
Austin Tichenor explores the character complexities of Hero in Shakespeare’s ‘Much Ado About Nothing’ and how to address her reconciliation with Claudio.
