Born Ada Crehan in Limerick, Ireland, Ada Rehan arrived in Brooklyn with her family at age five. Her big break came in the late 1870s, when theater manager Augustin Daly hired her for his New York company.
Which Shakespeare plays are onstage this month? We check in with our theater partners Chicago Shakespeare Theater, Atlanta Shakespeare Company, Shakespeare in Detroit, Chesapeake Shakespeare Company, Commonwealth Shakespeare Company, Gamut Theatre, The Old Globe, and Oregon Shakespeare Festival.
Two brothers living in England in 1595 have had their playwriting careers upended by the arrival of a new guy from Stratford upon Avon, William Shakespeare. That’s the plot of Something Rotten, a new musical that opened on Broadway in 2015. Karey and Wayne Kirkpatrick (also brothers!) are the co-authors, along with John Farrell. On the Folger’s Shakespeare Unlimited podcast, Karey and Wayne share more about Something Rotten, their perspective on Shakespeare, and how it all came together.
If you search for the word “pelican” in Shakespeare’s plays, you come across three instances, in Hamlet, King Lear, and Richard II. All three refer to a symbolic meaning of the pelican that can feel remote to today’s reader or audience member, but which Shakespeare’s audience would have been more familiar with.
Lady Mary Wroth watched Shakespeare act in his own plays, heard her relative Sir Walter Raleigh talk about founding Virginia, and almost certainly met Pocahantas and ambassadors from Morocco. Wroth’s later prose fiction echoes elements of her own life, including foreign travel, tragic deaths of siblings, arranged marriage, a lifelong love for her cousin, royal visits to her home, and then civil war.
This blog post spotlights five female artists whose interpretations of Shakespeare’s works are part of the Folger collection. We decided to highlight three sculptors and two book artists. Several of these artists and their work have been featured on The Collation, a Folger blog about research, scholarship, and the Folger collection.