In her new book “The Diva’s Gift to the Shakespearean Stage,” Pamela Allen Brown explores the considerable impact of Italian divas on Shakespeare and other English playwrights. This excerpt looks at the character of Juliet.
“Nathan the Wise” and “The Merchant of Venice” are very different works, though religious tension is a subject in each, as is the potential for love and loss, wealth and poverty, bloodshed and peace. But it is the character of the Jew featured in each text that most causes scholars to focus on the plays’ differences.
While doing research in the Folger collection, Dennis Duncan encountered hundreds of indexes created by early modern readers. In this excerpt from his newly published book, “Index, A History of the,” Duncan describes the fascinating variety of reader indexes he discovered, including one from an early 17th-century tract against alcohol.
Take a look at what the Folger’s theater partners have on stage this March, including a long-awaited ‘Hamlet’ in Cincinnati, ‘Much Ado About Nothing’ in Atlanta, and ‘The Merchant of Venice,’ with John Douglas Thompson, coming to Washington, DC.
A Polish acting troupe outwits the Nazis using Shakespeare codes and theatrical smarts in Ernst Lubitsch’s 1942 film “To Be or Not to Be,” an audacious comedy filmed as Hitler was devastating Europe. Almost the definition of a joke told too soon, the movie succeeds — and is still vital, 80 years later — by finding the tonal sweet spot between fanciful comedy and grim reality, and by presenting Shakespeare as the ultimate plea for humanity.
Recipes for plague-curing potions like “Doctor Burges’s remedy” are often found in household recipe books of Shakespeare’s time. Folger fellow Yann Ryan writes about the circulation of information and misinformation through these recipes.