Enjoy our most popular Shakespeare & Beyond blog posts from 2018, an eclectic range including a tasty 17th-century recipe, a quiz, a new play on Sarah Bernhardt and Hamlet, a female science fiction author from 1666, and a look at theater etiquette in Shakespeare’s time and now.
Posts Categorized: Shakespeare-in-the-world
Artist Paul Glenshaw describes drawing John Gregory’s bas-relief of Macbeth, the three witches, and their cauldron, with a focus on the vast cloud of smoke made from stone. “I realized as I drew it that the smoke was as much a character in this setting as the witches and Macbeth himself,” he writes.
From the question “What are you?” (Countess Olivia) to “Tell my story” (Hamlet), Austin Tichenor looks at finding your identity and telling your story, through a decidedly Shakespearean lens.
Enjoy a discussion led by Washington Post journalist Robert Costa, moderator of Washington Week, with Georgianna Ziegler, curator of Churchill’s Shakespeare, and Allen Packwood, director of the Churchill Archives Centre, exploring Shakespeare’s influences on Winston Churchill.
With Herbert Beerbohm Tree as the king, the four-minute silent movie “King John” (1899) is often called “the first Shakespeare film,” as Michael Anderegg explains. Watch the surviving one-minute fragment and learn more about its theatrical star.
We’ve got eight Shakespeare-related Christmas gift ideas from the Folger shop, most of them under $30 and some under $15, from books and jewelry to a bath duck and more.
Paul Glenshaw draws “The Merchant of Venice” bas-relief from the series by sculptor John Gregory at the Folger Shakespeare Library — and finds depictions of the same scene with some similar elements in the Folger collection.
In 1916, the 300th anniversary of Shakespeare’s death coincided with World War I, although the United States had not yet entered the conflict, yet both the US and European combatants on both sides of the war took time to honor Shakespeare and his works.
Artist Paul Glenshaw describes Romeo, Juliet, and the Nurse, poised at a key moment in his drawing of “Romeo and Juliet” from a Folger bas-relief.
As Mary Shelley’s novel “Frankenstein” marks its 200th anniversary (and with Halloween on its way), Austin Tichenor explores the parallels between the Creature from “Frankenstein” and Caliban from “The Tempest” and their fictional creators: Frankenstein and Prospero–as well as what makes a monster.