The Inkhorn Controversy in the 15th and 16th centuries focused on the use of long, Latinate words as opposed to shorter, Saxon-rooted English counterparts.
Posts Categorized: Research-and-discovery
One of Hannah Woolley’s books has sat hidden in plain sight at the Folger since 1990—included in the Folger online catalog, but missing from an international database that scholars often use to search for early English books. It is the only known copy in the world.
Recent news about proteomics (the study of proteins) in the humanities has included a Folger Shakespeare Library project, irreverently called Project Dustbunny, that studies proteins in rare books to learn about those who once handled or read them.
Interested in adding variety to your Thanksgiving dinner? Try this modernized 17th-century recipe for savory biscuits based on a manuscript in the Folger collection.
As October comes to an end, we celebrate food, drink, and culture in the German cities of Shakespeare’s day, including the creation of beer and wine and the harvest festivals each fall, marked by our modern-day tradition of Oktoberfest.
Lopez looks at which early modern plays were considered better than others (and why) and how the works selected to represent the era might change.
In our Shakespeare Unlimited podcast, now celebrating its 100th episode, you can hear so many surprising and often first-person stories by scholars, musicians, authors, actors, and others on all manner of Shakespearean topics.
Restoration Shakespeare was a complex theatrical experience that integrated song, music, dance, and acting; indeed, music and dance, alongside stage machines and movable scenes, were central to the success of Restoration theatre more generally.
Forty-five years ago on Shakespeare’s birthday, the Folger announced that Laetitia Yeandle, then curator of manuscripts, had “rediscovered” a long-lost diary entry marking the first recorded purchase of Shakespeare’s first publication, Venus and Adonis.
Victorian artists in England painted many portraits of Ophelia, including this one from 1889 by John William Waterhouse.
