In the image above, Constance Collier, magnificent as the dying Cleopatra, sits on her throne in a dimly-lit room, light sparkling off her crown, belt and spangled train. This 1906-07 London production of Shakespeare’s Antony and Cleopatra is considered a high point in the stage history of that play, with director/actor Herbert Beerbohm-Tree sparing no… Continue Reading »
Just in time for Halloween, we rank the five spookiest ghosts in Shakespeare’s plays.
Desdemona and Emilia’s friendship inspires resistance and the courage to speak the truth, resulting in Iago’s exposure and Desdemona’s exoneration.
In Henry IV, Part 1, Shakespeare created Lady Percy and Lady Mortimer out of the fragments of history, giving them voices that appeal freshly to us today.
The Hostess seems to have been a favorite character from the beginning, ruling the tavern where Prince Hal hangs out with Falstaff. Evidently aware of her popularity with audiences, Shakespeare developed her character further in later plays, where she evolves into Mistress Quickly.
Love’s Labor’s Lost is one of three Shakespeare plays without a primary source (the others being A Midsummer Night’s Dream and The Tempest), but that doesn’t mean it was created in a vacuum. Using four items from the Folger collection, we explore some of the contemporary influences Shakespeare might have drawn on when writing this… Continue Reading »
Happy New Year! We picked out four awful ideas for New Year’s resolutions from Shakespeare’s “Love’s Labor’s Lost” and added some hints for improvements.
Shakespeare’s witches, like nearly all witches of Shakespeare’s time, have their roots in the kitchen more than in the study.
Austin Tichenor writes about Shakespeare’s history plays, the political considerations of the day, and patriotic portrayals centuries later.
What kind of father was Shakespeare? The fathers he portrays in his plays don’t always come off looking so good, but he also explores parental regret.
