The last major goddess we will explore in this “Shakespeare and Greek Myths” series may have been Shakespeare’s favorite, based on the frequency with which he references her. Artemis was the goddess of chastity, hunting, and the moon, often depicted with her trusty bow and arrow and a short tunic to aid in running through… Continue Reading »
We continue our “Shakespeare and Greek Myths” series with another major goddess of the Grecian pantheon, Athena. Also called Athene, Pallas, and Minerva (her Roman name), this patron of Athens was the deity devoted to wisdom, the law, and strategy as well as a supporter of the arts. Often aligning herself with heroic quests and military maneuvers, she is associated with a number of famous stories, leading to a number of allusions both direct and indirect within Shakespeare’s plays.
One of the figures that Shakespeare and his characters frequently invoke is Aphrodite, the goddess of love, often referred to by her Roman name, Venus, both in the plays and sonnets and in Shakespeare’s popular long poem, Venus and Adonis. He and his love-struck characters also often allude to her son, Cupid, armed with love’s arrows.
The enchantress Circe, best known for turning men into pigs, is mentioned several times in Shakespeare’s plays and has been a literary inspiration for more authors up to the present day. Explore her story in the latest installment of our series “Shakespeare and Greek Myths.”
Welcome to our new Shakespeare and Greek Myths series. We’re starting off with Theseus and Hippolyta–figures who are not only referred to in the plays, but are also fully formed characters in two of them: A Midsummer Night’s Dream and The Two Noble Kinsmen. But who are they and what are their backstories?
