Love’s Labor’s Lost is one of three Shakespeare plays without a primary source (the others being A Midsummer Night’s Dream and The Tempest), but that doesn’t mean it was created in a vacuum. Using four items from the Folger collection, we explore some of the contemporary influences Shakespeare might have drawn on when writing this… Continue Reading »
Posts Categorized: Folger-finds
Italian regions share a culinary history that is rooted in the ingredients, tastes, and techniques that came out of early-modern innovations, explorations, and cultural movements.
Food historian and The Great British Baking Show winner Mary-Anne Boermans writes about piecing together 17th-century manuscript recipes for Taffety Tarts.
Nora Titone, author of a book on Edwin Booth and John Wilkes Booth, shares highlights from the Folger’s Booth collection.
These recent additions to the Folger collection relate to a range of early Shakespeare films that represented important firsts, won awards, and witnessed the transition from silent films to “talkies.”
Among the many treasures of the Folger is a lavish “Cosway binding” that includes five unique miniatures by a 20th-century British artist, “Miss C. B. Currie,” based on the images from the book itself. One of the oddest to modern eyes is the all-white bust from Stratford.
Enjoy our five most popular #FolgerFinds posts on Instagram of items from the Folger Shakespeare Library collection, from a silhouette of a ‘Midsummer’ scene with Bottom and Titania to vintage photos of 19th-century actress Julia Marlowe.
Discover American child star Elsie Leslie through a fascinating mix of Folger finds, including Elsie Leslie as Prince Arthur in King John and posing for a photo with preeminent actor Edwin Booth.
As October comes to an end, we celebrate food, drink, and culture in the German cities of Shakespeare’s day, including the creation of beer and wine and the harvest festivals each fall, marked by our modern-day tradition of Oktoberfest.
See portraits from the Folger collection of Edmund Kean as Richard III, Ellen Terry as Beatrice, Edwin Booth as Iago, and Fanny Kemble as Juliet.
