In Benet Brandreth’s historical thriller “The Assassin of Verona,” William Shakespeare is disguised as a steward to the English ambassador in 1586 Venice.
Posts By: Shakespeare & Beyond

What happens after “The Tempest” ends? “Miranda in Milan,” Katharine Duckett’s debut novel, picks up where Shakespeare’s play leaves off.
“The whole construction of the story is supported by a single theme: the value of a man’s word,” Octavio Solis writes about “Edward III,” which he translated for the Play on! project.

In his recent memoir, “Thanks a Lot Mr. Kibblewhite,” Roger Daltrey of The Who writes, among other things, about playing the Dromio twins in the BBC’s TV movie of “The Comedy of Errors” (1983).

Recent news about proteomics (the study of proteins) in the humanities has included a Folger Shakespeare Library project, irreverently called Project Dustbunny, that studies proteins in rare books to learn about those who once handled or read them.

Inspired by a real-life episode, Simon Mayo’s novel ‘Mad Blood Stirring’ tells the powerful story of a Shakespeare production by African American prisoners of war at Dartmoor prison in England, near the end of the War of 1812.

Enjoy our five most popular #FolgerFinds posts on Instagram of items from the Folger Shakespeare Library collection, from a silhouette of a ‘Midsummer’ scene with Bottom and Titania to vintage photos of 19th-century actress Julia Marlowe.

Enjoy our most popular Shakespeare & Beyond blog posts from 2018, an eclectic range including a tasty 17th-century recipe, a quiz, a new play on Sarah Bernhardt and Hamlet, a female science fiction author from 1666, and a look at theater etiquette in Shakespeare’s time and now.

Revisit some of our most popular 2018 Shakespeare Unlimited podcast episodes, from Shakespeare’s wife Anne Hathaway to a conversation with actor Derek Jacobi to the tyrants in Shakespeare’s plays.

From rudeness to gross behavior, Ruth Goodman’s book “How to Behave Badly in Elizabethan England” sheds some surprising light on what bad behavior really meant, including the reason that Shakespeare had Sampson threaten to “bite my thumb” at another character in the first scene of “Romeo and Juliet.”