Artist Paul Glenshaw writes about drawing the bas-relief of Richard III by sculptor John Gregory on the front of the Folger Shakespeare Library building.
Posts By: Paul Glenshaw
Artist Paul Glenshaw writes about drawing the bas-relief of King Lear by sculptor John Gregory on the front of the Folger Shakespeare Library building.
Artist Paul Glenshaw describes drawing the Folger bas-relief of “Julius Caesar,” in which assassins with their knives start to turn away as Caesar dies. He pairs the image with a painting by Jean-Léon Gérôme at the Walters Art Museum in Baltimore and a matching engraving at the Folger, which reflect the same scene just a moment later.
Artist Paul Glenshaw describes drawing John Gregory’s bas-relief of Macbeth, the three witches, and their cauldron, with a focus on the vast cloud of smoke made from stone. “I realized as I drew it that the smoke was as much a character in this setting as the witches and Macbeth himself,” he writes.
Paul Glenshaw draws “The Merchant of Venice” bas-relief from the series by sculptor John Gregory at the Folger Shakespeare Library — and finds depictions of the same scene with some similar elements in the Folger collection.
Artist Paul Glenshaw describes Romeo, Juliet, and the Nurse, poised at a key moment in his drawing of “Romeo and Juliet” from a Folger bas-relief.
Artist Paul Glenshaw takes a close look at Titania and Bottom as he draws the scene from “A Midsummer Night’s Dream” depicted on a Folger bas-relief.
Paul Glenshaw writes about drawing the Folger’s Shakespeare bas-reliefs, which were created by John Gregory and depict scenes from nine plays.