Posts By: Austin Tichenor

Combating Shakespearean shrinkage

“The worst reaction to Shakespeare’s complicated language,” writes Austin Tichenor, “is thinking that it should be hard for an audience to understand.”


“I Want It That Way”: Rosaline & Juliet

“In both ‘Rosaline,’ a charming teen romcom streaming on Hulu, and ‘& Juliet,’ a splashy new musical making its Broadway debut this week, Shakespeare’s tragedy becomes a surprising springboard for music, comedy, and investigations into narrative ownership,” writes Austin Tichenor.








Actors taking on tyrants: Ernst Lubitsch’s ‘To Be or Not to Be’

A Polish acting troupe outwits the Nazis using Shakespeare codes and theatrical smarts in Ernst Lubitsch’s 1942 film “To Be or Not to Be,” an audacious comedy filmed as Hitler was devastating Europe. Almost the definition of a joke told too soon, the movie succeeds — and is still vital, 80 years later — by finding the tonal sweet spot between fanciful comedy and grim reality, and by presenting Shakespeare as the ultimate plea for humanity.


Is Shakespeare for everyone?

Austin Tichenor makes the case for why we should say “Shakespeare is for anyone who wants him” instead of “Shakespeare is for everyone.”