The curious and complicated history of the 16th-century play “The Lamentable Tragedie of Locrine” prompts interesting conversations about the Shakespeare canon and its apocrypha.
Posts By: Alexandra E. LaGrand
Imagine a King Lear that cut the character of the Fool, created a romance between Edgar and Cordelia, and featured a happy ending in which Lear and Cordelia both live. That was the most popular version of Shakespeare’s play for more than 150 years, until William Charles Macready’s landmark production in 1838.
During a time when performing Shakespeare in London was a legal right belonging only to certain theaters, the Haymarket theater’s rise to greatness is directly linked to its struggle to break through these restrictions. To celebrate its 300th birthday this year, we wanted to share some highlights from its history, its fight to produce Shakespeare,… Continue Reading »