To commemorate the 450th anniversary of Shakespeare’s birth in 2014, Shakespeare’s Globe in London sent a group of actors on a two-year tour to perform Hamlet all around the world. Dominic Dromgoole, the Globe’s artistic director who directed this traveling production, has written a new book about it, “Hamlet Globe to Globe.” Read an excerpt from it.
Posts By: Shakespeare & Beyond
Francine Segan, a food historian with a taste for the Renaissance, adapts a 1610 handwritten recipe for rose cakes from a recipe book that’s part of the Folger collection.
Henry Altemus’ magnificently miniature copy of “The Children’s Shakespeare” by Edith Nesbit is the Folger’s smallest Shakespeare edition. The title page’s portrait of Shakespeare is only six millimeters long. Like the book’s text, it is not discernible to the naked eye. While close, it’s not the smallest image of Shakespeare in the collection.
Shakespeare characters love talking about their ducats, which were commonly used coins in Shakespeare’s day. Can you match the money quote to the play it comes from?
While Shakespeare musicals borrowed plots, characters, and situations from England’s best-known poet, they remained essentially “American.”
Born Ada Crehan in Limerick, Ireland, Ada Rehan arrived in Brooklyn with her family at age five. Her big break came in the late 1870s, when theater manager Augustin Daly hired her for his New York company.
Two brothers living in England in 1595 have had their playwriting careers upended by the arrival of a new guy from Stratford upon Avon, William Shakespeare. That’s the plot of Something Rotten, a new musical that opened on Broadway in 2015. Karey and Wayne Kirkpatrick (also brothers!) are the co-authors, along with John Farrell. On the Folger’s Shakespeare Unlimited podcast, Karey and Wayne share more about Something Rotten, their perspective on Shakespeare, and how it all came together.
Lady Mary Wroth watched Shakespeare act in his own plays, heard her relative Sir Walter Raleigh talk about founding Virginia, and almost certainly met Pocahantas and ambassadors from Morocco. Wroth’s later prose fiction echoes elements of her own life, including foreign travel, tragic deaths of siblings, arranged marriage, a lifelong love for her cousin, royal visits to her home, and then civil war.
This blog post spotlights five female artists whose interpretations of Shakespeare’s works are part of the Folger collection. We decided to highlight three sculptors and two book artists. Several of these artists and their work have been featured on The Collation, a Folger blog about research, scholarship, and the Folger collection.
Paul Robeson was the first modern African American to perform Shakespeare—to perform Othello, and he talks in his letters and in his essays about bringing his experiences as a student in a white arena, his experiences with racism, to the performance. So for him as an actor, he brought his experience as an African American in a racist society to this performance of Othello, a black man in a racist society. Other actors who saw him said it was like seeing Othello for the first time.